The Way is pro-life, pro-people
As a purely anecdotal aside, I’d like to mention that few of the people I know who’ve walked the Camino de Santiago, the ancient pilgrim trail that provides the setting for Emilio Estevez’ film The Way, were actually Catholic, or even appreciably Christian. The Camino has become, in an age of widened horizons but jaded palettes, a kind of extreme tourism destination, [...]